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That is, paper white or ink black with no detail, no ability to see anything in the light and dark areas. “Clipping” in digital photography is what we used to call blown highlights or blocked-up shadows. The dark triangle icons at top can be toggled on to warn us of clipping in either the highlight and shadow areas. The histogram at top shows distribution of colors and tones. Depends photo adjustment is an art, really, and what looks good to you may not look good to the next shooter.
#Adobe bridge cs6 not showing canon raw files with update software#
You might begin by wondering if the Camera Raw software is smarter than your eye. While I don’t instinctively jump to white balance as Job One, perhaps I should. Apparently Adobe developers considered that to be the first thing you’d want to correct, because if you have a photo that’s not color corrected, it’s more difficult to get a good read on exposure (darkness/lightness). Note a great thing about Camera Raw in Bridge is that all your adjustments are right there in a handy slider toolbox at the right. We’ll start by fixing the color balance.ģ. In this case, the photo was taken in a hazy, partially cloudy day, so it’s a little blue. The sample photo below opened in Camera Raw is typical of those taken with the digital camera’s white balance set on Auto. Or even easier, you can merely click on the tiny aperture icon at top left of Bridge menu bar, as circled in the illustration (hover over tools for descriptions).Ģ. An easy way to open a jpg in Raw is to choose the image in Bridge, and then under the File pulldown, choose Open in Camera Raw. If you double-click on a Raw (In Canon a CR2 file extension, but will vary with manufacturer) image in Bridge, it will automatically open in Camera Raw. First you need to open your jpg (or other format) in Camera Raw.
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(This is based on a variety of tutorials, including my new book Photocommunication Across Media (Routledge/Focal Press, 2018) and Adobe's helpful tutorial. Why not give it a try? Here's a workflow procedure I often use. I don’t know about that last one, but I do happen to think it’s easier and faster, and so I nearly always begin my photo editing in Bridge Raw. Why would you want to do this? Some photographers choose it because they think it's easier, faster, and does a better job. But here’s the thing a lot of people don’t know: you don’t have to use Camera Raw in Bridge (or Photoshop) only to edit RAW images! In fact, you can use it to edit JPG (or TIFF, for that matter, another common format), as an alternative to Photoshop’s standard photo editing options. Or you can shoot both at the same time.īoth Photoshop and Bridge have options to bring photographs into the Camera Raw manipulation software. But you can still shoot jpgs for less critical images, and you can still do a lot with that format as well. It just gives you so much more to work with. Nowadays, though, we have a lot more computer space, and of course we can buy multiple large memory cards, so it's more common to shoot Raw for everything. Many professionals used to use Camera Raw only for critical images, because dealing with these take time and a lot of space on a camera’s memory card. How much? Take a look at my comparisons on left: CR2 is the Camera Raw format for Canon. But often they look uglier until pulled into an image editor such as Photoshop and “processed” into a form you can use. Images obtained in Raw contain every pixel of sensor data unmassaged by software. But it is standard on Digital Single Lens Reflex (DSLR) cameras and many hybrids. The second format, Camera Raw, often is not available on compact or smartphone cameras. These cameras automatically process the raw data provided by a sensor to produce and image that’s smaller (because it is a “lossy” format that throws out pixels), color-corrected, sharpened, and looks pretty good right out of the camera. The first, JPG format, is standard domain of compact, or point-and-shoot cameras for casual snapshots. Most photographers are aware that DSLR and other digital cameras can record images in basically two ways. Tutorial Two(b): an alternative workflow for photojournalists Bridge and Camera Raw (Adobe Photoshop CS6 for Macintosh)īy Ross Collins, North Dakota State University, Fargo Camera RAW Photoshop Tutorial 2(b): Camera Raw and Bridge Go back to Ross Collins Class Resources.